Saxophone Journal Review
By Frank Bongorno
SO NEAR, SO FAR
Stephen Pollock
Alanna Records (ACD 6000)
A long time member of the
acclaimed New Century Saxophone Quartet, tenor saxophonist Stephen Pollock
has released his first solo CD, So Near, So Far. Pollocks’ formal
studies on saxophone have been with renowned concert tenor saxophonist,
James Houlik, at the North Carolina School of the Arts where he received
his Bachelor and Master of Music degrees. Over the years, he has performed
as principal saxophonist with numerous symphonies and has served on
the faculties of Davidson & Salem Colleges, as well as the North
Carolina School of the Arts, among others. Pollock is currently an adjunct
professor of saxophone as well as saxophone chamber music coach at Duquesne
University in Pittsburgh, Pennsylvania. He keeps a busy performance
schedule as a member of the New Century Saxophone Quartet, as well as
a soloist and clinician throughout the country.
So Near, So Far is a collection of the most beautiful melodies ever
written, some written for saxophone and others simply borrowed and revisited
for saxophone use. In the liner notes, Pollock discusses his interest
and love for the melodic and the lyrical, from his early days as a youngster
listening to his parents hum or sing folk melodies, to the time he first
heard the beauty and mastery of the tenor saxophone tone emanating from
Jim Houlik’s instrument.
The CD features Pollock in various settings from string quartet to saxophone
quartet, and saxophone with piano. Given the nature of the CD, with
its emphasis of simple, lyrical melodies, the arrangements would have
to be creative and interesting, or else the recording could sound repetitive
or even redundant. However, other than Pollock’s exceptional musicianship,
the arrangements used for the folk tunes and transcriptions are not
only creative and interesting, but often lift the music to another level
of musical character and significance.
Of the thirteen selections, five are performed with the Alexander String
Quartet, Oblivion, the title cut So Near, So Far (written by Pollock),
Barbara Allen, The Water is Wide, and My Love is Like a Red, Red Rose.
In each case, the saxophone and string quartet are well balanced and
blend very nicely with one another. While the quartet provides a polished
performance of mainly accompaniment, it is able to soar with thematic
materials as well as easily become part of a backdrop of sound and rhythm
when necessary. The performances by the quartet and Pollock almost always
seem to create as sense of uniqueness and personality for each of the
pieces performed. For example, Piazzolla’s Oblivion projects a
mood of sadness and tragedy with its haunting melody, while Barbara
Allen’s lilting melody and its creatively refreshing arrangement
has a playful personality and a character of youthful innocence.
Pollock is joined by Armenian pianist, Vahan Sargsyan on six cuts on
this CD, Danny Boy, Three American Songs of Love, O Garish world…long
since thou hast lost me, Past Singing Springs, Aria, and Milonga del
Angel. Sargsyan and Pollock are able to create a fine ensemble balance
between the two instruments, and have an excellent musical rapport,
especially for some of the pieces requiring rubato and interpretive
musical freedom. Of particular interest is Pollock and Sargsyan’s
interpretation of Danny Boy. Coupled with a unique and well-crafted
arrangement by Glenn Haynes, Danny Boy is given a tasteful makeover
of harmony and interpretation.
Solely saxophonists play O Northern Star and Over the Rainbow, the remaining
selections on the CD. The New Century Saxophone Quartet give a stirring
performance of Pollock’s composition, O Northern Star, while Branford
Marsalis weaves through Pollock’s melody on an arrangement of
an old standard, Over the Rainbow.
Pollock writes much on the importance of melodic beauty and colors of
tone in his liner notes, and he does not disappoint on this CD. Each
composition is played with much thought given to the beauty of line
and tone quality of the saxophone. The final product is a wonderfully
lyrical CD with beautiful melodies and lush tones coloring the listener’s
palette to create a warm, and very listenable recording.
Other performers on this CD include Vahan Sargsyan, piano; the Alexander
String Quartet; and special appearances by Branford Marsalis (soprano
saxophone), and John Patitucci (bass).